A trio of long-time Assassin’s Creed developers will lead the series into its “next era” now that it’s under the umbrella of Vantage Studios, Ubisoft’s new sub-company partly funded by Tencent. Martin Schelling, Jean Guesdon, and François de Billy are being handed the reins.
**The Effect of *Slay the Spire 2* on the Indie Gaming Landscape: A Wave of Delays and Tactical Launches**
On February 19, 2024, the team at Mega Crit revealed the much-anticipated launch date for *Slay the Spire 2*: March 5, 2024. Recognized as one of the leading roguelike deckbuilders, the original game’s triumph has established a formidable benchmark, making the sequel’s debut a pivotal moment for both fans and game developers within the industry. Nevertheless, this announcement has ignited anxieties among indie developers who worry about being eclipsed by this gaming powerhouse during an exceptionally busy release period.
One of the most significant responses came from the developers of *Handmancers*, a roguelike deckbuilder created by 58BLADES. Initially scheduled to debut during the Turn-Based Thursday Fest, commencing on March 6, the devs prudently opted to postpone their game, recognizing that vying against *Slay the Spire 2* the day before the festival would be an imprudent move. In a sincere post on social media, they remarked, “Yea…we’d get absolutely crushed.”
Another title impacted is *Mini Tank Mayhem*, a tower defense and deck-building strategy game from Algorocks. Although the developers have not openly attributed their recent delay to *Slay the Spire 2*, the timing certainly raises questions, as their release was moved from March 3, 2024, to April 29, 2024, shortly following the debut of *Slay the Spire 2’s* latest trailer.
In a curious strategic adjustment, SchuBox Games, the creators of *Omelet You Cook*, had the foresight to modify their plans early. In January, they moved their game’s launch forward to avoid the unavoidable distraction presented by *Slay the Spire 2*. Co-developer Dan Schumacher commented in an interview that they foresaw streamers and gamers focusing on the sequel, leaving scant opportunity for their own game to attract attention.
Other developers, such as Bermrad, responsible for the hack-and-slash roguelite *Trials of Valor*, found themselves in a dilemma when they announced their release on the same date as *Slay the Spire 2*. The prominence of *Slay the Spire 2* has left many indie studios feeling the need to reassess their launch timings. While Bermrad expressed belief that their game encompasses distinct features, they still confront the challenge of sharing the limelight with such a prominent title.
Interestingly, some studios are opting to harness the increased visibility instead of retreating from it. ThunderRam Studios, the developers behind *Grimslair*, chose to firmly maintain their March 6 release, asserting their desire to be part of the discussion rather than retreating until the excitement diminishes. Similarly, Fishagon, working on the party card game *Vice Versa*, humorously borrowed the announcement style from *Handmancers* to promote their own game’s upcoming release.
The trend of indie games capitalizing on the momentum of major launches isn’t a novel concept. The creators of *Adventure of Samsara* found themselves in a challenging situation last year when they released alongside *Silksong*, leading to an unfavorable outcome. For numerous indie developers, being eclipsed by a titan like *Slay the Spire 2* can seem like an insurmountable obstacle.
Conversely, some developers have seized the chance to afford themselves more development time, exemplified by Chugga Chugga LLC with their game *Slumber Realm*, which they disclosed won’t be ready to compete with *Slay the Spire 2*. They recognized that investing extra time into development could ultimately result in a more refined product with a warmer reception.
The launch of *Slay the Spire 2* signifies not only a crucial moment for Mega Crit but also provides broader insight into the indie development scene. As creators navigate the intricacies of release timelines, the influence of one game can send ripples through the industry, affecting strategies, choices, and ultimately the viability of other titles in a competitive marketplace. As March 5 draws near, all attention will be on *Slay the Spire 2*—and the decisions made by other developers in its aftermath.
Adopt, don’t shop.
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Helix: Descent N Ascent sounds like it should be a mascot platformer starring a jaunty DNA molecule with floating Rayman hands, whose special power is making stuff go up and down. Up and down the evolutionary ladder, even! A platform game in which you can evolve and devolve your character at will, to solve different puzzles? Good lord, we’ll make one million dollars out of this! Somebody get me the CEO of Midway.
Alas for my career prospects, Midway is no more. And Helix is not a mascot platformer, probably to its benefit. As revealed by the new Steam demo, it’s a slow and atmospheric puzzler in which you investigate a fallen civilisation, while chasing your doppelganger. You being a lanky Area-51-looking lad, who acquires paranormal powers and must weave them into solutions for terrain puzzles of the Pressure Plate N Lever variety.
**Ubisoft Introduces New Leadership for the Assassin’s Creed Franchise**
Just four months following the surprising exit of former leader Marc-Alexis Côté, Ubisoft has reinstated its leadership for the esteemed franchise, *Assassin’s Creed*. Côté departed amidst accusations of being ousted, and Ubisoft has now tasked three experienced veterans of the series with steering its future under Vantage Studios, supported by Tencent.
On February 23, Ubisoft declared that Martin Schelling, Jean Guesdon, and François de Billy will assume crucial positions in reshaping *Assassin’s Creed*, a franchise that has seen remarkable success in the historical open-world action category. Each leader possesses extensive expertise, having played key roles in some of the franchise’s most acclaimed titles over the years.
**Defined Leadership Roles**
Martin Schelling has taken on the role of head of the *Assassin’s Creed* brand. He is charged with overseeing the franchise’s comprehensive strategy and long-term vision. With a distinguished background as Ubisoft’s chief production officer, Schelling’s 17 years of experience encompass essential production roles on *Assassin’s Creed Revelations*, *Black Flag*, *Origins*, and *Valhalla*.
François de Billy has been named the “Head of Production Excellence.” This ambitious designation reflects his duty to enhance production processes and mitigate any friction within complex workflows. De Billy’s ties to the franchise include serving as production director on *Black Flag*, *Origins*, and *Valhalla*, alongside his positions as executive producer and associate producer on *Assassin’s Creed 2*.
Jean Guesdon returns as the head of content for *Assassin’s Creed*, taking charge of the franchise’s creative direction while aiding individual game development. Having previously been the creative director on *Black Flag* and *Origins*, Guesdon’s familiarity with the franchise is extensive. He momentarily left Ubisoft for Behaviour Interactive in 2023, where he contributed to a promising but ultimately shelved project called “Renaissance,” a voxel-based game reminiscent of *Minecraft*.
**Navigating a Transitioning Phase**
The appointments of Schelling, de Billy, and Guesdon fill a leadership void left by Côté’s exit after nearly 20 years. Côté is reportedly engaged in litigation against Ubisoft for an allegedly forced dismissal, although the company asserts that he was offered a leadership position at Vantage Studios, which he declined.
Ubisoft’s leadership seems eager to sustain the popularity and expansion of *Assassin’s Creed*, particularly as the franchise has faced challenges in delivering a coherent meta-narrative and timely releases in recent times. Plans to link future installments within a larger framework have yielded mixed outcomes.
The franchise’s latest installment, *Assassin’s Creed Shadows*, has emerged as a considerable success, providing essential support to Ubisoft as it faced financial struggles leading to a significant buyout by Tencent.
**Upcoming Projects in Progress**
As part of the reorganization, Ubisoft has several *Assassin’s Creed* projects in the works, including both multiplayer and single-player experiences. A notable remake of the cherished *Black Flag* is among the projects being developed.
Ubisoft’s shift to Vantage Studios and partnerships enhanced by its Tencent collaboration indicate a committed effort to revitalize its most cherished franchises. This restructuring not only aims to improve operational efficiency but also reinforces its dedication to fostering creative storytelling and captivating gameplay within the *Assassin’s Creed* universe.
What do penguins like to chow down on?
The post Heartopia Penguin Favourite Food – Where to Find For the Trough appeared first on Gamezebo.
Earlier this month, Epic Games Store shyly announced that their free game giveaways are having “a measurable halo effect across the broader PC ecosystem”, increasing the sales of those games on Steam during the offer period. New Blood Interactive’s Dave Oshry has made the same argument a bit less sympathetically: boosting the profile of games already on Steam is the only reason to release anything on the Epic Games Store, even given Epic’s more generous developer revenue share, because EGS sucks.
**What is the Appropriate Penalty for *Resident Evil Requiem* Informants? Insights from Hideki Kamiya**
Within the gaming community, spoilers can greatly affect the experiences of players. Recently, physical editions of Capcom’s eagerly awaited title, *Resident Evil Requiem*, appeared before its official launch, raising worries about possible spoilers. Hideki Kamiya, the director renowned for his involvement in *Resident Evil 2*, expressed his frustration strongly, indicating that those who divulge such vital information should face strict penalties. He likened the scenario to a previous situation where he believed a magazine spoiled the late-game twist of *Resident Evil 2*. Kamiya’s comments underscore the emotional repercussions for both players anxiously looking forward to a release and the developers dedicated to creating engaging experiences.
**Stability Amid Transformation: *Arc Raiders* CEO Takes on New Position at Nexon**
Following the successful debut of *Arc Raiders*, Patrick Soderlund, CEO of Embark Studios, has taken on a new role at Nexon. His knowledge, gained from extensive experience at EA, will be applied to guide Nexon’s long-term plans and creative direction. While maintaining oversight of Embark and its initiatives, Soderlund’s broadened role signifies a dedication to improving game development practices and nurturing innovation within the organization.
**Evo’s Dedication to Tradition Post-Ownership Changes**
The esports organization Evo has recently transitioned into a full subsidiary of Saudi Arabia’s sovereign wealth fund. Amid concerns from fans regarding possible changes in values, Evo reassured the gaming community that its leadership and core principles would stay consistent. Nevertheless, skepticism remains among fighting game aficionados, with many advocating for a return to grassroots approaches. The ongoing discussion reflects a longing for preservation amidst corporate transformations.
**Anticipation Grows for *Castlevania: Belmont’s Curse* RPG Features**
Recent details about the upcoming *Castlevania: Belmont’s Curse* indicate that the game may incorporate RPG features. Insights from a developer’s LinkedIn profile suggest the addition of 25 characters, branching dialogues, and side quests. The excitement for a retro-themed RPG format could revitalize the series while catering to both longtime fans and newcomers.
***Balatro’s* Update Delays: A Commitment to Future Content**
Developer Localthunk has communicated with the community regarding the postponement of *Balatro*’s update 1.1. In a thoughtful blog entry, they shared reflections on their initial experiences in game development, emphasizing their dedication despite obstacles. While fans await the upcoming content, Localthunk’s promise to the project endures, indicating that new developments are forthcoming.
**Concluding the Updates**
In the realm of gaming, issues such as spoilers, corporate changes, and delays in development continuously influence player experiences and industry dynamics. From the firm responses of developers to the shifting nature of game ownership, the landscape is as complex as the stories woven into the games themselves. Remaining informed and involved with these changes is crucial for the community.
It’s a new dawn, it’s a new Roblox game.
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Sometimes you get a note through the door, nestled among the bills and flyers for local takeaways. Oi, it says, some priest’s been murdered, and we need you to track down the folks on a list of Nazis he smuggled out of Germany after the war. Ok, you reply, it’s the 1970s and I’ve got nothing better to do.
That’s the setup for Owlskip Games’ The Ratline, the Steam Next Fest demo of which has just put my beleaguered Monday brain to the test.
